![](https://static.wixstatic.com/media/0b13ac_0df6e5cc8b5c417b9cd905591c284e6f~mv2.png/v1/fill/w_980,h_685,al_c,q_90,usm_0.66_1.00_0.01,enc_auto/0b13ac_0df6e5cc8b5c417b9cd905591c284e6f~mv2.png)
![](https://static.wixstatic.com/media/0b13ac_2ccaeb34813549b2979c809c7934515f~mv2.png/v1/fill/w_980,h_685,al_c,q_90,usm_0.66_1.00_0.01,enc_auto/0b13ac_2ccaeb34813549b2979c809c7934515f~mv2.png)
As you can see, I have taken a few images which I think would correlate well together. The only image that is not mine, is the image of the two girls standing - that I found on the internet. I collect images whenever they be my own or secondary source, and I mash them together to see the composition of the image. I quite liked this one and decided to use it in my sketch.
I belive working this way has made my work more efficient in terms of productivity and releasing pieces faster. This gets my brain going and ideas that are usually hard to come by, happen almost in an instant because the image is put before me in seconds due to the collages I make.
I thought to myself that I couldnt create full background pieces out of thin air, as my main focus of pathway isnt architectural structures - more so on the enviromental part. And I couldnt create a new cityscape of something that didnt exist. However, the very same idea is what inspired me to work this way - Avalon doesnt exist, nor is there any real images I can go off, so by mashing a bunch of 'what-ifs' together, it created a whole new vision of Avalon for me.
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